By Nathalie Belkin, Lead Processor; Gabriella Carl-Johnson, Kay Menick, Sara Fetherolf, Erin Allsop, Jessica Mack, and Katie Alleman, Interns
Title: Architectural Drawings and Blueprints, c. 1880s-1990s
Predominant Dates:1910-1930s
Extent: 0.0
Subjects: A. Faranda and Son, Acea family, Agoglia family, Altar to Liberty: Minerva, Architectural Drawings, Architecture, Arnold, K.F., Arnold, N.B., Arnold family, Art nouveau (Architecture), Bahrenburg, John H., Bahrenburg family, Barclay family, Barrow, ME James T., Barrow family, Barthman family, Beaux-Arts architecture, Benisch Bros. Monumental Works, Blueprints, Bourne family, Bromell family, Brown, John W., Brown family, Buildings--Design and construction, C.E. Tayntor & Co., Cemeteries--New York (State)--New York--History, Cinerary urns, Colyer family, Cushman, Eugene, Cutting, James D.W., Cutting family, Daly, Margaret, Daly family, Davis Granite Co, Architects and Contractors, de Aldama family, DeLaCour and Ferrara, Delafield, Major Rich D., Delafield family, Dewey family, Doerschuck family, Dunne family, Egyptian revival (Architecture), Euler family, Farrington, Gould and Hoagland, Feitner, John, Felzmann family, Flagg, Ernest, Gilbert family, Goodnough family, Gothic revival (Architecture), Gould, J. R, Gould, James S., Gould family, Green-Wood Cemetery--New York, N.Y., Greve family, Griswold family, Hapgood family, Harder family, Harrison Granite Co., Havemeyer family, Heins and La Farge Architects, Higgins, Charles, Higgins family, Hillside architecture, Hoffman & Prochazka, Designers, Sculptors, and Builders, Horn, Alfred E., Horn family, Howland family, John Thatcher & Son, Kampfe family, Kenneth, W.D., Lawrence family, Lingard family, Ludlum, Emma R., Ludlum family, Martin, Robert, Martin family, Mausoleums, McAlpin family, Murdock family, Obelisks, Parish family, Parsons family, Penn Brass and Bronze Works, Pitbladdo Monumental Works, Polak family, Presbrey-Coykendall Company, Presbrey-Leland Monument Company, Renwick, Aspinwall, and Tucker, Reynolds family, Riley family, Ritzheimer family, Robinson, F. Delancey, Romanesque architecture, Rosanelli family, Ruckstull, F. W. (Fred Wellington), 1853-1942, Sands family, Sarcophagi, Sculpture and architecture, Sepulchral chapels, Sepulchral monuments, Victorian, Sepulchral monuments--New York (State)--New York, Sepulchral monuments--United States, Sepulchral monuments industry, Smallman, Thomas F., Smallman family, Somers family, Stephens, Annie W., Stephens, Benjamin F., Stephens family, Stevenson family, Stone, Gould, & Co, Designers and Builders, Sullivan, John W., Sullivan family, Texter family, Tiefel family, Tombs & sepulchral monuments, Torrio, Johnny, Torrio Family, Umberto Innocenti and Richard K. Webel, Landscape Architects, Underground architecture, Upjohn, Hobart, VanRensselaer family, Vaults (Sepulchral), W.F. Benedict & Son, W.W. Leland Co. Inc., Walsh, James F., Warren & Wetmore, Wesselman family, Wood family, Woolley family
Languages: English
The Architectural Drawings and Blueprints collection contains over 150 separate series of designs, each of which has one to around 20 individual drawings. Each series represents designs for a mausoleum or other architectural feature at Green-Wood Cemetery.
Most of the designs are for private family mausoleums, although the collection also includes blueprint materials for the historic Green-Wood chapel designed by Warren & Wetmore, alterations made to the Fifth Avenue gate, and plans for the mid-twentieth-century Columbarium. Other notable features in the collection include the Higgins mausoleum series, which contains photographs and early designs of the famous Battle Hill monument Altar to Liberty: Minerva by sculptor F. Wellington Ruxell. Many additional series may include more famous names in New York City history, such as those for the Cooper-Hewitt family and the Torrio family.
The majority of these drawings are printed on large blueprint paper, although there are a significant number of series that contain original drawings on tracing paper or drafting linen, as well as prints on Mylar, photocopy paper, or other reproduction materials. Many series also contain specifications documents—legal agreements between the architectural firm and the cemetery, which outline the plans, materials, and workman regulations for construction. In some cases, there is additional material, such as correspondence with lot owners and alternate mausoleum designs.
The collection’s dates range from the 1880s to the 1990s; the majority of the mausoleum designs were created between 1910 and 1930, at a time when it was widely popular among upper-class families to have a mausoleum or vault in which to inter their deceased relatives. Many architects of the time specialized in mausoleum design. Architectural firms that produced a large number of mausoleum designs in this collection include the Presbrey-Leland Monument Company, John Feitner Architects, and the Harrison Granite Company.
Researchers may wish to consult a specific series, which can give an interesting insight into the family in question, or they may wish to look at multiple series in the collection, in order to gain an example of the way construction and design aesthetics changed over time. The collection is a particularly valuable example of the way cemetery architecture developed in its golden years, particularly because many of the wealthiest and most prestigious New York families chose to be interred at Green-Wood.
The collection is currently stored in two locations—some material is in the Green-Wood archives, while many other blueprints are kept in the surveyor’s office of the administrative building. The container list has additional information on each item in this significant and highly variable collection, including notes on the date of designs, the architectural firm that created the drawings, and information on the size, condition, markings, and design features of each piece. All blueprint materials have been scanned and are digitally available; a preview of the image file is attached to each item. High-resolution images of each scan are available upon request.
The material is in varying condition, and embrittled drawings have been encapsulated in Mylar to ensure preservation.
The Green-Wood archives hold additional records acquired from the Presbrey-Leland Monument Company relating to Green-Wood Cemetery, and researchers may find it useful to consult this collection in conjunction with the Architectural Drawings and Blueprints.
A. Faranda and Son
Acea family
Agoglia family
Altar to Liberty: Minerva
Architectural Drawings
Architecture
Arnold, K.F.
Arnold, N.B.
Arnold family
Art nouveau (Architecture)
Bahrenburg, John H.
Bahrenburg family
Barclay family
Barrow, ME James T.
Barrow family
Barthman family
Beaux-Arts architecture
Benisch Bros. Monumental Works
Blueprints
Bourne family
Bromell family
Brown, John W.
Brown family
Buildings--Design and construction
C.E. Tayntor & Co.
Cemeteries--New York (State)--New York--History
Cinerary urns
Colyer family
Cushman, Eugene
Cutting, James D.W.
Cutting family
Daly, Margaret
Daly family
Davis Granite Co, Architects and Contractors
de Aldama family
DeLaCour and Ferrara
Delafield, Major Rich D.
Delafield family
Dewey family
Doerschuck family
Dunne family
Egyptian revival (Architecture)
Euler family
Farrington, Gould and Hoagland
Feitner, John
Felzmann family
Flagg, Ernest
Gilbert family
Goodnough family
Gothic revival (Architecture)
Gould, J. R
Gould, James S.
Gould family
Green-Wood Cemetery--New York, N.Y.
Greve family
Griswold family
Hapgood family
Harder family
Harrison Granite Co.
Havemeyer family
Heins and La Farge Architects
Higgins, Charles
Higgins family
Hillside architecture
Hoffman & Prochazka, Designers, Sculptors, and Builders
Horn, Alfred E.
Horn family
Howland family
John Thatcher & Son
Kampfe family
Kenneth, W.D.
Lawrence family
Lingard family
Ludlum, Emma R.
Ludlum family
Martin, Robert
Martin family
Mausoleums
McAlpin family
Murdock family
Obelisks
Parish family
Parsons family
Penn Brass and Bronze Works
Pitbladdo Monumental Works
Polak family
Presbrey-Coykendall Company
Presbrey-Leland Monument Company
Renwick, Aspinwall, and Tucker
Reynolds family
Riley family
Ritzheimer family
Robinson, F. Delancey
Romanesque architecture
Rosanelli family
Ruckstull, F. W. (Fred Wellington), 1853-1942
Sands family
Sarcophagi
Sculpture and architecture
Sepulchral chapels
Sepulchral monuments, Victorian
Sepulchral monuments--New York (State)--New York
Sepulchral monuments--United States
Sepulchral monuments industry
Smallman, Thomas F.
Smallman family
Somers family
Stephens, Annie W.
Stephens, Benjamin F.
Stephens family
Stevenson family
Stone, Gould, & Co, Designers and Builders
Sullivan, John W.
Sullivan family
Texter family
Tiefel family
Tombs & sepulchral monuments
Torrio, Johnny
Torrio Family
Umberto Innocenti and Richard K. Webel, Landscape Architects
Underground architecture
Upjohn, Hobart
VanRensselaer family
Vaults (Sepulchral)
W.F. Benedict & Son
W.W. Leland Co. Inc.
Walsh, James F.
Warren & Wetmore
Wesselman family
Wood family
Woolley family
Scale: ¾” = 1’
Date: October 28, 1901
Details: “Design No. 1730” noted at lower right corner.
Size: 24” x 20”
Drawing Materials: Blueprint reproduction on paper.
Materials Noted: None specified.
Notes/Markings: Stamped and signed: “Approved Oct 28 1901 by Eugene Cushman, Supt”. Stamped and signed: “Approved…1901 by P.M. Woolley”. Signed in original; reproduced in blueprint copy.
Condition: Embrittling, discoloration, and folding at edges. Numerous small tears along top, right, and lower edges. Drawing appears faded.
Style / Design Details: Romanesque style and proportions. Semi-circular arch entablature above entrance; entrance is flanked by two Doric/Tuscan columns with carved capitals (leaf carvings). Carved leaf keystone in arch. Carved coquillage and leaf details in tympanum pediment. “Woolley” inscribed in frieze. Doric/Tuscan columns at entrance are flanked by carved Romanesque pilasters with carved capitals with torch and leaf detailing. Carved wreath and leaf detailing in spandrels of arch entrance. Door is not drawn or defined—this space is blank.
Scale: ¾” = 1’
Date: ca. 1901
Details: “Order No. 1730”, “Stock: Barre”
Size: 20” x 20”
Drawing Materials: Blueprint reproduction on paper.
Materials Noted: None specified.
Notes/Markings: None supplemental.
Condition: Embrittling and slight discoloration along edges. Slight tears and folds along edges. Holes along left edge from binding.
Style / Design Details: Massive stone walls tapering from base upward. Entrance flanked by two Tuscan columns. Laterally symmetric in plan.
Scale: ¾” = 1’
Date: October 28, 1901
Details: “Order No. 1730” and “Stock: Barre” stamped in title block. “Design No. 1730 noted at lower right.
Size: 20” x 20”
Drawing Materials: Blueprint reproduction on paper.
Materials Noted: None specified.
Notes/Markings: Original signed by superintendent of Green-Wood, reproduced in blueprint copy: “Approved Oct 28, 1901 by Eugene Cushman Supt”.
Condition: Wrinkling and folding at edges. Relatively good condition. Holes at left edge from binding.
Style / Design Details: Romanesque proportions and style. Massive, rusticated stone walls, tapering upward at base course. Doric pilasters and simple horizontal entablature around window frame.
Scale: ¾” = 1’
Date: October 28, 1901
Details: In stamped title block: “Order No. 1730” and “Stock: Barre”. At lower right corner: “Design No. 1730”.
Size: 20” x 20”
Drawing Materials: Blueprint reproduction on paper.
Materials Noted: None specified.
Notes/Markings: Original stamped and signed: “Approved Oct 28, 1901 by Eugene Cushman Supt.” Noted “Ashlar [illegible] – EC.” Additional note within drawing: “2 imaci [sic] to be cut by Middle Men” (possibly imagines, given the Romanesque style).
Condition: Relatively good condition. Holes at left edge from binding. Slight tears at lower edge. Some wrinkling and discoloration.
Style / Design Details: Massive walls; proportionally thick roof. Rusticated ashlar masonry walls. Doric/Tuscan column with leaf carvings at capitals flanking entrance.
Scale: ¾” = 1’
Date: October 28, 1901
Details: “Design No. 1730” noted at lower right corner.
Size: 24” x 20”
Drawing Materials: Blueprint reproduction on paper.
Materials Noted: None specified.
Notes/Markings: Stamped and signed: “Approved Oct 28, 1901 by Eugene Cushman Supt”. Also stamped and signed: “Approved…1901 by P.M. Woolley”.
Condition: Embrittling, discoloration, and folding at edges. Numerous small tears at top and bottom edges. Upper right corner folded and discolored.
Style / Design Details: Rusticated massive stone walls. Corners are composed of carved, sectioned (2 to each masonry course in height) pilasters, with tapered bases and carved capitals with leaf and torch detailing. Elevation is comprised of three courses of massive rusticated stone masonry, above a base course of smooth masonry.
Scale: ¾” = 1’
Date: October 28, 1901
Details: Stamped in title block: “Order No. 1730”.
Size: 12” x 20”
Drawing Materials: Blueprint reproduction on paper.
Materials Noted: None specified..
Notes/Markings: Measurements noted in pencil on reverse.
Condition: Fold lines and wear—copy was folded into twelfths and pocketed, most likely. Wear and discoloration along fold lines. Slight tears and embrittlement along edges.
Style / Design Details: Symmetrical plan of classical proportions.
Scale: ¾” = 1’
Date: October 28, 1901
Details: “Design No. 1730” noted at lower right corner.
Size: 24” x 20”
Drawing Materials: Blueprint reproduction on paper.
Materials Noted: None specified.
Notes/Markings: Stamped and signed: “Approved Oct 28, 1901by Eugene Cushman Supt”. Also stamped and signed: “Approved…1901 by P.M. Woolley”. Noted on reverse in pencil: “Woolley 30523/4” and “7 Woolley”.
Condition: Embrittling and discoloration along all edges. Folding at corners and small tears along lower edge. Blueprint is faded.
Style / Design Details: Rusticated massive stone walls. Corners are comprised of carved sectioned pilasters (2 pilasters in height to each course of masonry) with tapered bases and carved capitals with leaf and torch detailing. Elevation is comprised of three courses of massive rusticated stone masonry. Window placed at center of elevation above second course of masonry.
